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| Reviews Summary |
| Quite possibly the best release out of the Northwest this year - KEXP / A true genre-twisted party album that appropriately captures the sounds of an eclectic America - Urb / ...the dreamy soundtrack to your imaginary trip into space—pitch-black but layered with bright, starry bursts of breathy vocals, strings, and unexpected guitar freak-outs. - The Stranger |
| Reviews | |
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| Head Like A Kite is a project spearheaded by Dave Einmo, who turns in this, his second album as Head Like A Kite with a line-up of indie glitterati helping him out: members of The Long Winters, Preston School Of Industry, Smoosh and Radio 4 with Modest Mouse and Iron & Wine producer Brian Deck helping to settle the overall sound of the album. There's an eclecticism and diversity to the production styles that characterise There Is Loud Laughter Everywhere, which although grounded in the kind of sample and loop-based disciplines of hip hop are clearly aiming for crossover appeal, giving the impression of arch genre-melders LCD Soundsystem facing off against Beck (Einmo comes across like a leftfield hip hop James Murphy on the nonsense courting 'Listen Young Stunners'. Further 'x'-meets-'y' comparisons can be made right across the album. For example: 'Daydream Vacation' is present day Sonic Youth meets Ashlee Simpson, although sometimes this unabashed fusing of other people's music can go a bit wrong, as on the Dandy Warhols-alike 'Six Bags Of Confetti' with its gestures toward tiresome drughound lyrics and posturing, trite guitar riffing. - Boomkat |