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MH-259 Head Like A Kite - There Is Loud Laughter Everywhere  There Is Loud Laughter Everywhere, Head Like A Kite’s second full-length album, and first for Mush, is an expert blend of electronic rock production and pure pop-songcraft built on a bed of pillaged found-sound from cities the band visited on their 2006 US tour. No stranger to sharing the stage with big names on national and international turf, ringmaster Dave Einmo has assembled some of Seattle’s finest for the album including members of The Long Winters, Smoosh, Radio 4, Crooked Fingers, and Preston School Of Industry. Whether it be guest vocals from Asya Smoosh and Graig Markel, added inspiration from touring drummer Trent Moorman, or the production of Brian Deck (Modest Mouse, Iron & Wine) each track is flavored with the perfect additions to the epic songwriting and big-beat electronic production that is Head Like A Kite’s forte. There Is Loud Laughter Everywhere strikes the balance between art and craft and is the finest sonic road-trip in the Mush catalog. |
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| Reviews Summary |
| Quite possibly the best release out of the Northwest this year - KEXP / A true genre-twisted party album that appropriately captures the sounds of an eclectic America - Urb / ...the dreamy soundtrack to your imaginary trip into space—pitch-black but layered with bright, starry bursts of breathy vocals, strings, and unexpected guitar freak-outs. - The Stranger |
| The early 90s really were the golden age of electronic music. Technology finally seemed to allow the seamless fusion of rock, electronics, funk and whatever else occurred to crazy DJs. The Chemical Brothers and Propellerheads are obviously emblematic of this shift, but listening to KMFDM albums in chronological order gives an even more accurate history lesson. Head Like a Kite embraces rock, hard rock, funk, trip hop and wiggy keyboard fare. Oh, and more than a bit of the shoegazer as well. The fuzz growing on the sound is most impressive. The album itself is mostly low key. The moments where Dave Einmo (the man behind HLAK) steps out of this groove are where he really starts to put a stamp on his sound. The incongruities shine like nuclear markers in the bloodstream. Einmo loves rock and roll, even if he seems to prefer to cast glances askance rather than simply rock out. If you want to get the full package, check out track 6, "Everyday Should Be a Costume Party," which rips through disco, soul and some sweet hip hop beats. Oh, and a nice little bit of guitar. Einmo is awfully subtle sometimes, but he will put your ass in motion. - Aiding & Abetting |
1XLP/Out Of Print