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| Reviews Summary |
| An elegant digital reverie - Mojo / Gorgeous sounds that seem so simple and effortless that they could almost come from the mind of a child - CMJ / Records like these give us cause to sing. - Urb / Soothing, swirling electronic melancholy - Tokion / Majestic. - Logo / An album to dream with - BBC / A wonderful debut - All Music Guide |
| Reviews | |
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| Though the CD's spine reads "Australian made blip-pop" I'd like to think of one-man-band Mark Mitchell's Come Here When You Sleepwalk as alterna-loop. Topped by the quietest vocal presence and aptly-matched lyricism this side of yawn (that's a compliment!), Mitchell's music is cucumber cool and moptop-ishly laptopped. The album is a mostly mid-tempo, lo-symphonic wet dream that conjures memories of 10CC buried alive and still crying from below. As Mitchell coos and hums through the blurp and blips of "Empty Save the Oxygen" and the practically wordless "We'll Live Free (in NYC)" you'll nearly forget he was there, save for the echo of his thoughts. There's the occasional Fender-fill ("Still We Felt Bulletproof") and messy uptempo breaks ("I Think We Can Kinetic") that surround his frightened child voice and it's chamber-like surroundings. - BPM |