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| Reviews Summary |
| An elegant digital reverie - Mojo / Gorgeous sounds that seem so simple and effortless that they could almost come from the mind of a child - CMJ / Records like these give us cause to sing - Urb / Majestic - Logo / An album to dream with - BBC / A wonderful debut - All Music Guide |
| Reviews | |
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| If Mush's poaching of Mark Mitchell from Adelaide's Surgery label wasn't testament enough to the transatlantic nature of the mild-mannered Australian's music, then Tony Morley's subsequent licensing of his sophomore album to England's highly respected Leaf label further reinforced the point. Indeed, as a purveyor of sleuth rock, Mitchell is comparable to the Badly Drawn one in his deliquescing of a hopeful singing style and jangling guitars into studio-sourced blips and sneezes, but there is much, much more to this album than simple comparison will allow. The earthy grooves, though already both emotive and touching, are injected with a sense of sing-along cool - with Come Here When You Sleepwalk an essential body of work for those who enjoy their electronic music with a little human interference. - All Music Guide |